Search results for " Performing Arts"
showing 10 items of 996 documents
Ces chansons qui nous ont fait tant de malUsages musicographiques du populaire en sortie de guerre, 1940-42
2019
Conditions de possibilité d'une forme perçue
2008
International audience; La forme musicale est considérée par les compositeurs et les musicologues,au moins depuis la fin du XVIIIe siècle, comme un aspect majeur de la compositionmusicale. Certaines conceptions théoriques de la forme, voire sa réalité perceptive,sont remises en cause par les psychologues de la musique. Cependant, d’autresrésultats suggèrent qu’une représentation en mémoire des grandes structuresmusicales est envisageable. Cet article se propose d’examiner, à travers une revue desthéories de la forme et de la littérature en psychologie expérimentale, deux questionsfondamentales sur la perception des formes : sur quelles dimensions musicales et queltype de représentation en m…
Mínguez Cornelles, Víctor y Rodríguez Moya, Inmaculada (eds). [2016], Visiones de un Imperio en fiesta.
2017
Recension del libro: MINGUEZ CORNELLES, Victor y RODRIGUEZ MOYA, Inmaculada (eds). [2016], Visiones de un Imperio en fiesta , Serie Leo Belgicus n. 4, Fundacion Carlos de Amberes, Madrid, 396 pp.
Un antecedente imprescindible del Valle de los Caídos: la aportación de Manuel Abril en 1939
2021
En abril de 1939 veía la luz un artículo firmado por el crítico de arte Manuel Abril en el que abogaba por la existencia de un monumento para celebrar la victoria de la guerra y honrar a sus caídos. En esa misma fecha se dictó el decreto que disponía la erección de un monumento para perpetuar el recuerdo a los muertos en la Cruzada de Liberación, lo que supuso el primer paso para la construcción del Valle de los Caídos. Las coincidencias conceptuales y plásticas entre ambos monumentos, el propuesto y el ejecutado, son más que notorias. Es propósito de este trabajo ponerlas de manifiesto dentro del contexto histórico y conceder a la aportación de Abril la categoría de antecedente del monumen…
The Imago Primi Saeculi Societatis Iesv (1640). Devotion, Politics and the Emblem.
2018
ABSTRACT: The Imago Primi Saeculi Societatis Iesv (1640) is, perhaps, the most beautiful book of emblems published by the Jesuits in the seventeenth century. The book is a festive commemoration offered by the priests and students of the Flemish-Belgian Province in celebration of the centenary of the founding of the Society of Jesus. The work includes 127 full-page emblems distributed throughout a total of 956 folio-sized pages that narrate and illustrate in emblematic fashion the foundation, development, vicisstitudes and achievements of the Socirty in its evangelical and pedagogical mission. From the moment of its publication, the Imago was the object of attacks by Huguenauts and Jansenist…
“Narrative Museums” and Curators’ Rights: The Protection of a Museum Exhibition and Its Scenario under Polish Law
2020
Since at least the 1990s, museums have expanded to cover a variety of societal functions, often enabling inclusive and participatory spaces for critical dialogue about the past and the future, and bridging together various narratives and cultural experiences, contributing to social cohesion and reconciliation. The new functions of museums, involving novel technological forms of display and communication, pose several legal questions concerning the management of such institutions, their resources, and exhibitions, including issues of copyright and other intellectual property rights. While referring to a recent case concerning an alleged infringement of the moral rights of the authors of the …
A Holonic Approach to Shakespeare: The Digital Reference System (DRS)
2012
Prefatory RemarksWhen hypertext was made available on the Internet after 1994 it shaped the concepts of public domain and free access. The web server and browsing system that Tim Berners-Lee and Robert Cailliau designed, determined the future digital, editorial and cultural developments for traditional audiences and digital natives alike. They quickly became the generalized interface tools and thus contributed to today's editorial standards. As they helped to create this innovative environment called the Internet, they also helped to establish many standards such as URL, URI, HTTP HTML or XML, which provided interoperability amongst different platforms and allowed internationalization.Shake…
Le monastère Saint-Pierre d’Osor (île de Cres) : neuvième campagne d’études archéologiques
2015
During the 2014 campaign exhaustive excavations of the early medieval mausoleum and monastic tombs situated between the mausoleum and the bell tower south of the abbey church of St Peter in Osor were completed. The results of the excavation of the interior of the reduced church revealed several floor levels that are contemporary to the Romanesque basilica, as well as the foundations of the Romanesque chancel screen situated in front of the north apse, and the presence of many burials. Some of them can be identified as privileged tombs, due to their position and their contents. Several floor levels corresponding to the phases anterior to the Romanesque church were also discovered, although i…
Sublime and grotesque:exploring the liminal positioning of clowns between oppositional aesthetic categories
2019
The horror clown is a potential rooted in the liminalities that are an integral part of the clown figure per se. Drawing on anthropological work and the study of popular culture, this paper argues that clowns can be placed between different dualistic frames such as the sacred and the profane, the sublime and the grotesque, and fear and disgust. This positioning and the ways in which clowns operate between these categories are transmitted aesthetically. In this paper the dualistic aesthetics and violent potential of clowns is examined through three different clown examples: the ritual clown, the circus clown and the horror clown. Field observations made by Keisalo of the Chapayeka rituals cl…
Compte rendu de : Luc Robène et Solveig Serre (dir.), Punk is not dead. Lexique franco-punk, Paris, Nova, 2019, 200 p.
2020
International audience